Ben Howard - The Fear

Ben Howard is a Devon-born folk singer who originally studied Journalism before turning to music as his a full time profession (a man after my own heart by that reckoning).

His vocals remind me of a higher-pitched Jack Steadman with the same empty room production values of early Justin Vernon material.

His album “Every Kingdom” has earned him some well deserved recognition since its release in October, 2011 - it’s definitely one to sample if you’re a fan of the alt-folk, singer/songwriter genre.

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New Bloc Party album set for release later this year →

Last year Kele courted controversy by claiming that while he was busy with his solo career, the remaining members of Bloc Party would be auditioning new singers to allow them to continue playing together…

…It was then suggested that the four members had been in cahoots to whip up publicity for the band and ‘get one over’ on the media.

Happy to hear that Okereke will be staying in the frame in Bloc Party, but I can’t help that there is more to this story than the public has been allowed to know. With the amount of time the guys have taken out from the last LP, people can change a lot.

Maybe while it is all resolved currently between the guys, this next record might be the last?

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This song is a frantic fantasy of awesome.

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So much love for this.

So much love for this.

Reblogged from alisonagosti

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thefutureinthepast:

The Heavy - Sixteen

The Heavy are a new discovery for me. Courtesy of ‘The Future In The Past’ blog, I can provide you with three minutes of an interesting blend of The Black Keys-esque tones with the vocals of an angry Curtis Mayfield.

I’m currently listening to their latest effort ‘How You Like Me Now EP’ and won’t say anything more than that it is intriguing and appealing to the ear. The back-catalogue is filling up my already too extensive Spotify queue.

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Top 25 Video Game Soundtracks of Our Lives (or Lack Thereof) →

While some may prefer cruising to the sounds of Springsteen, true gamers roll to the “Song of Storms” – here are the 25 soundtracks to our lives (or lack thereof).

There’s a few suspect games that I would not count as being classics for their soundtracks, (I especially disagree with including ‘Guitar Hero’ as its a game that makes you play rock classics on a dance-mat within a guitar neck). But this list covers all the ones I would consider including if I were to formulate my own.

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Video: The Civil Wars - I’ve Got This Friend (Performance on ‘Later… with Jools Holland’)

The Civil Wars are a two-piece consisting of singer-songwriters Joy Williams and John Paul White from Nashville, Tennessee. I’ve been listening to their album ‘Barton Hollows’ for a few months after discovering it jumped straight to No.1 on the U.S iTunes chart, and narrowly missed out on a top 10 spot in the Billboard 200 when it was released.

Their music is a lovely blend of progressive and contemporary folk music that washes over your ears beautifully. The production values of the album are incredibly tasteful and help make William and White’s vocal harmonies shine. Instrumentation-wise, you’ll be listening to a whole lot of acoustic guitar, with occasional additions of traditional folk instruments such as violins and bottle-neck guitar. The album has a feel of refined emptiness that I find very appealing.

Personally, with all that said, its The Civil Wars magnificence comes from their presence on-stage. With an expected bout of insomnia last night, I stumbled across this performance on ‘Later… with Jools Holland’ on the iPlayer, rekindling my admiration for them:

Where I would normally expect such sparse production values to be the downfall of any live performance, in the case of these guys it only makes them better. Both Williams and White have a real chemistry on stage together, which lead me (and many others I have now discovered) to think that they were a couple - this is not the case.

The vocal harmonies in the song, ‘I’ve Got This Friend’, are indeed ‘phwoar-worthy’ (as a gentleman in the audience can be heard to exclaim in the breakdown) and I am left fixated on how the two look entertaining when there is nothing going on around them.

The Civil Wars record is a great one to mellow you out, I suggest you give it a listen.

To watch the full ‘Later… with Jools Holland’ programme click here.

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The Sennheiser CX-150’s: The best £15 I’ve ever spent

We consume music through a variety of mediums: a radio, a television, iPods/MP3 Players, Headphones, Speakers etc. and every individual has their own personal tastes when the matter is brought to the table. I have always thought highly of the way we enjoy music and I personally believe the quality of how one listens to it reflects upon how one appreciates it.

Naturally, a first post on the matter should be one common to many music listeners in the current era - Headphones.

The question, “what headphones should I buy?” is one of the most frequented questions that people have asked me when they discover my passion for music. Even now I don’t have an answer for people, as the choice of headphones is suited just as much to your tastes as buying a pair of jeans; firstly they have to fit you, as you don’t want them falling down to your ankles, but as well as that they should be a reflection of your taste.

My personal problem for answering such a daunting question is that I am a blank canvas when it comes to musical taste. As a very basic example, I need to be the guy that doesn’t scream “Oasis fan” as much as I don’t want to scream “Jay-Z lover”. This makes headphone choice a very challenging problem to overcome, as a need a pair of headphones that look understated but also need to perform as ‘all-rounders’ serving to my very erratic music library.

On the biggest off-chance of the century I think I may have found such headphones. They cost me £14.99 and I am completely blown away by what they have been capable of in the short time that I have possessed them.

The date was the 23rd September, around 3pm, staring at the biggest wall of headphones I have ever seen in my entire life in Preston’s HMV. There I saw some of the worst looking headphones of my entire life. Some cost more than I would ever want to pay, some looked like they wouldn’t last a week commuting to University and some left me with nothing more than a feeling of mediocrity (HMV’s home-brand earbuds need a serious re-marketing if they ever want to sell in good numbers).

On a whim, I bought at a special offer on a Sennhieser branded pair of headphones. Specifically, the CX-150’s, an in-ear “bud” style with interchangeable ear adapters for varying sizes in lug-holes.

The one thing I have always struggled with in terms of the in-ear bud style designs is the reluctance they have to sit still in my ear. Half of my commuting time was spent trying to keep the damned things in, which normally involved trying to keep my head/neck as still as possible without looking to of had a serious case of whiplash.

The good news is that the CX-150’s are pretty happy sitting in my ear without frequent dislodgements that I have gotten used to through the years. This is probably courtesy of the fact these headphones are incredibly light. Admittedly this does question how well built the CX-150’s are; but I am quite a responsible carer for my headphones, regardless of price, and I hope that I shall not be hindered by any such problems in the near future.

In terms of audio quality, the CX-150’s are fantastic. If I had to critique them in anyway I would suggest that they are naturally quite ‘bass-heavy’. This is remedied easily by the iTunes EQ settings that I use, at which point these headphones sound incredibly full-bodied for such a cheap price.

Design-wise, these headphones are tastefully understated which I have no qualms over. They also feature a right-angled 3.5mm input, making them less prone to cable stretching as well accidental pull-outs from my iPhone’s input jack - always a nice thing to have.

Hopefully these headphones live up to the hype I am currently giving them. At the moment I would highly recommend them if you can grab them for the same price that I have.

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James Blake & Bon Iver - Fall Creek Boys Choir

What more can a man say about this than that it is just simply stunning. My two favourite artists of the moment, together entangled in perfect relation to one another.

I hope this is just the first of many collaborations between these two forces.

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A Big Day

It’s been a while Euphony readers. I wish I didn’t feel the need to apologise for every time I seem to leave 3 weeks between blog posts. With that said, you have been given time of your own to inform yourself of some quality sounds that I probably won’t know much about - I hope it worked out well for you.

Today is a big day for me, an end of an era that I am sad to see draw it’s final breath. But I believe it is for the greater good and should make my life an easier one.

The announcement is that I am deleting my iTunes Library. Starting again, from this moment onwards to make up a new collection that defines my musical taste instead of the mish-mash of genres and general untidy-ness that I have lived with for (near-as-dammit) 10 years.

The hope is that I keep this new collection organised and relevant. The problem with having a 60GB music library is that, due to the vast amount of material in it, I can get stuck in a time-lapse of old music that does very little to inspire me. Sure, the music I have is good music, but everything that can be learnt from it musically has already been done.

All the music I try and listen to, is in a vein attempt to make me a better musician, making the material I write more interesting (more information on this soon). I’m sick of the regurgitated propaganda that mainstream music offers nowadays, none of it inspires me and I have no desire to try and create anything like it.

This includes all genres - Music from bands such as The Arctic Monkeys inspires me as little as music by The Wanted. It might be a little extreme to define them in the same category, as music by The Arctic Monkeys is much better than by The Wanted. I’m not saying I don’t enjoy the music of the mainstream, but I don’t aspire to play their songs or write songs like them; I believe there is music better than what seems to rise to prominence, and that is the music that I want to make.

So it starts today. A new chapter. The music I do have is now locked onto a hard drive for cryogenic containment, in case I can’t live without listening to Linkin Park’s ‘Papercut’ again…

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